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One popular diagnosis of just why “Gone with the Wind” had conquered America—it appeared in the Reader’s Digest, in 1939—found that the story’s primary appeal lay in Scarlett O’Hara’s position as “the master of her world rather than its victim,” her exemplification of “personal triumph over social insecurity.” It may indicate something about changing times that in 1957 a survey of a class of American high-school girls, noted by Helen Taylor in the book “Scarlett’s Women,” found that all but one of the girls identified with docile Melanie, or claimed to

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XKCD’s illustration forces that process into conscious thought

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